Austin-powered
So, I’ll be back at the fine SXSW Interactive conference/festival in Austin this year. Last year I spewed forth on convergence (skeptically). This year I get to orchestrate the spewage as I am leading a panel on virtual worlds, one of a handful on the topic in the Gaming/Screenburn category.
The panel’s called “Terraforming the Internet: When 3D Models Meet Business Models.” Saturday, March 10, 10am. Panelists are being finalized, but they’re all brilliant, articulate, laureates-in-waiting.
SXSW is simply an exceptional event and I’m happy to be a part of it. See you there?
See also: South by
In the future we will all levitate to work
I had a chance to ride the world’s only operational magnetic levitation train this week in Shanghai. It was the highlight of an otherwise awful layover. The train itself runs from Pudong airport to the terminus of one of the city subway lines (not exactly downtown Shanghai). There’s some debate about how useful this is to actual travelers, but as a way of killing time it was perfect for me. I purchased a roundtrip ticket.
Actually I purchased a VIP ticket. (They love the designation VIP here. You see it everywhere on special doors, stairways, and parking spaces.) I thought, if I’m going to ride a space-age train I am certainly going to do it in first class. In a future of jet packs, flying cars, and supertrains we’ll all be VIP’s anyway so I better get practicing. The cost difference was $2. The actual difference? Slightly nicer seats and a completely empty car cabin.
There’s a brief shudder as the train shimmies up the half-inch that the magnets levitate it above the track. Then off you go, mostly silently. Since the means of propulsion and power are embedded in the track (the magnets pull you along as well as prop you up) there’s no loud onboard engine. You accelerate quickly. Not unlike an airplane takeoff without the din. Just a few minutes in you’re moving at 430 km/h (270 mph) and you can feel it. The slightest jostle (and it has to be slighter than the half-inch tolerance of the magnetic “cushion”) and the train responds. You could not, for instance, play Jenga successfully on board. Still it is damn smooth for going 270 mph.
But you do wonder what would happen in the event of catastrophe. On an airplane there’s room for error, approximately 30,000 feet of room for error; you can recover. On a train moving at this speed if you depart the track you’re basically done. What happens if someone dumps a large chunk of metal on the track? Or a mini-cyclone blows the train over? Or a power spike into the track torus? (There actually was a fire onboard recently.) All thoughts that have nicely counteracted my recent preoccupation with air disasters.
On the return leg I was in the front car (again alone, the sole VIP of a future society). I staggered to the conductor’s cabin as we hit max speed. Peering in I saw exactly what I expected — computer screens and a panel of buttons — and something I did not — the conductor lounging at the desk reading the newspaper. She’s likely there for show only. Or a robot. In the future, trains are conducted by robots, as you probably know.
As you pass a maglev going the other direction there’s a super-brief concussive moment where too much air is being displaced from too little space. It makes you jump. Unfortunately the eight minute journey is almost half acceleration/deceleration. When you arrive at the destination station and disembark you’re greeted by a strong burning smell. I can only guess it is a byproduct of the magnetism since nothing should be ablated during the journey. Nothing touches anything. This is the future, damnit.

The maglev, officially known as the Shanghai Transrapid, is usually called a demonstration line. It doesn’t go anywhere very useful right now, though there are many ideas for expansion, especially in advance of the 2010 Shanghai World Expo. The whole experience, while fascinating and exciting, was a bit depressing. With the small ridership (all in non-VIP class) it all felt like a bit of a show. Sort of like the futuristic people mover underneath the Huangpu River. Fun to take, but how practical? A Disney monorail without the Disney crowds (or high ticket price to offset the cost of running such a novelty).
The future’s always a novelty to the present though, isn’t it?
The full image set is available.
Gathering in the town square
The MIT Technology Review has a short article on one of my main projects, called Meadan, which I’ve not discussed at all on this blog. Mostly this is because we’re still in development, but recently we embarked on a closed alpha test phase so this seems like as good a time as any.
From the article:
The basic idea is simple: it’s a website that brings English and Arabic speakers together around daily postings of news articles, broadcasts, and events that are of common interest, and it gives users a platform to communicate through dialogues, blogs, and other exchanges. All the while, it allows users to pinpoint their location so that people can share views across continents. The hard part is creating a system that allows users to express their ideas in their native tongue.
What’s really interesting about Meadan — apart from its small part in removing barriers to rationale discourse between the West and the Muslim world — is how it uses social networking technologies both to create communities (the “traditional” use of social networking) but also to enlist users to rate, edit, and correct the English-Arabic machine translation. Social networking as language feedback loop. What’s missing from so much machine translation is a sizable corpus of informal conversation (not bizspeak or medical parlance, for instance). This is what helps MT learn grammatical and dialectical nuance and this is precisely the kind of conversation we envision on the Meadan site.
Much more on this in the coming months, of course.
Today’s forecast in Beijing
Not smog, not haze. Smoke.
Last night on the flight in from Shanghai the flight attendant announced that it was pleasant and sunny in Beijing. It was 10:30 PM.
Caputo’s career kaput
Looks like my shout-out last year to the world’s first female Italian-American in orbit will be my last for her. The press just loves the story of Lisa Caputo Nowak’s alleged melting-down over a love triangle — as though astronauts aren’t human. She’s an Italiana, fercrissakes! Of course she’s fiery!
I think it’s fair to say that she’s not going to pass the next pre-flight psych check. My guess.
If you’re catty in space, can anyone hear you growl?
UPDATE: And the whole fascination with wearing diapers for the long drive. C’mon, how do you think they spacewalk for 8 hours? She’s just used to efficiency.
Now this is winter!
How cold is it in Chicago?
- The midday, sunny high still has a minus sign in front of it.
- I thought my son was bleeding yesterday morning after I kissed him good morning. Only then did I realize that I cracked my freeze-dried lip open and bled on him in doing so.
- The city has a Blade Runner-esque look with every manhole and sewer drain belching steam. So noir!
- Loaning our shower to a friend whose hot water pipes — but not cold, huh? — froze solid.
- My son’s new favorite word is “negative.”
- It is too cold to snow.
- Shit-filled diapers freeze solid on the back deck instantly.
- The Bears have sucked all warmth from our hearts.
That’s how cold it is.
The (pāt’n) that matters
You know he’s watching. Go Bears!
“All four engines have failed”

I’ve been obsessed with plane crashes lately. No, obsessed isn’t right. Oppressed, maybe? I seem to be encountering information about air horror wherever I turn. Always nice before a series of trans-oceanic flights.
A few weeks ago I watched Superman Returns. The Man of Steel says to the passengers of a wingless jumbo jet he’s just safely landed, “I hope this incident hasn’t put you off flying. Statistically speaking it is still the safest way to travel.” It is a direct lift of a line Christopher Reeves also uttered in the original Superman from 1978. Certainly true, but for me it fails the truthiness test.
Then, as I babysat my computer during a marathon session of video rendering, aimlessly clicking through Wikipedia, I landed on Aviation accidents and incidents (part of the hell’s-gateway-esque Disasters Portal). Browsing through the air disasters really was like rubbernecking a car accident. I couldn’t turn away. I read every article in there. Airshow accidents, In-flight airliner explosions, Midair airliner crashes, Deliberate airline crashes, Fuel exhaustion on commercial airliners … the subcategories are scarily unique and many.
What you start to realize is: Damn, there are a lot of disasters where we don’t really know what happened. And then, once that’s sunk in: Damn, I’m surprised this doesn’t happen more often. There are some fascinating incidents. The jet that ditched in the Neva River in St. Peterburg, Russia without a single loss of life. The mentally-ill Japanese pilot who deliberately crashed on landing. And the worst of all collision of two 747’s on Tenerife in 1977.
Then — somehow, I wasn’t specifically looking — I stumbled upon this video of Boeing testing the structural limitation of the 777 wing. They found it. (And if I am ever in a plane with a wing bent like that I will have involuntarily evacuated my bowels well before structural failure, yessiree.)
Then yesterday, this story of a 747 that lost all four engines and actually landed safely. It is a terrifying tale. Again, I was not searching. I must be unconsciously sifting these things out of my feed reader or something.
And finally, gallows humor. This artwork/concept for a crash landing pillow that gives you the option of suffocating yourself before crashing. For the true control freak, you may now take charge of your own death, flaming airframe be damned. You know, it’s said that the only reason you’re told to put your head between your knees during a crash is so that your dental records stay as close as possible to the seat number for identification.
Anyway. Not sure what this obsession is all about. It would be one thing if I were actively hunting this information out, but I’m not. I feel like I’m in an M. Night Shyamalan flick.
I depart Monday.
Stirring the gene pool with a cello bow
There are days where my job is not much fun. Tuesday last week was not one of those days.
I spent the morning with Yo-Yo Ma and his Silk Road Ensemble paired with Dr. Spencer Wells of the Genographic Project. Actually, so did the student body of the Prosser Career Academy, a Chicago public high school on the west side. And this was all part of the Sister Cities Schools program.
Confused? It was a bit of a you-put-your-chocolate-in-my-peanut-butter event, but it actually worked. Sister Cities is a program that encourages multicultural exchange between the planet’s urban centers. Their new schools program extends this by putting students in contact from around the world. The Silk Road Project is a really interesting endeavor by Yo-Yo Ma to demonstrate the interplay of cultures via music, taking the ancient trans-Eurasia trade route as a metaphor for this journey. The Genographic Project in some ways has the same goals — a greater understanding of human diversity — but comes at it by seeking to more fully understand the patterns of human migration out of Africa by mapping genetic markers from people around the world. IBM’s life science group is providing the computational firepower for the massive amount of data that Wells and his team are collecting from the field.
Yo-Yo Ma is a huge fan of the Genographic project. In fact, I think he has a man-crush on Spencer Wells. Together they spoke to an AP History class and explained the goals of each project. The students were given genography kits to plot their own lineage on the world map and Ma played a short piece for the class, explaining the multiple cultural influences that coalesce in classical music. His specific example was how an African dance was incorporated in a piece he played by J.S. Bach.
The full Silk Road Ensemble then entertained an all-school assembly in between video clips of Spencer Wells traveling to crazy remote places to obtain information and blood samples from indigenes. At times the yoking-together of genetics and music seemed a bit forced, but it clearly can be done and does make some sense conceptually. Genetic proliferation and lingustic variation, for example, are tightly coupled; one offers insight where the other falls short. Will be interesting to see if Ma and Wells can uncover other points of intersection between the projects.
The students loved it all, actually. A teacher remarked that she’s never heard a full school assembly so oddly silent. I suppose everyone wonders where they come from, ultimately. One of life’s meta-questions.
See also: Macro-genealogy and A long walk out of Africa
Return to the Hermitage
My first major project when I joined IBM in 1998 pretty much changed my life. I was asked to lead the interface design of a new website for the State Hermitage Museum in St. Petersburg, Russia. The site was to be the public face for some three thousand newly-digitized high resolution scans of artwork. By most measures the site was a resounding success. At the time, and even for a few years afterwards, the site boasted the largest number of high-quality images on any museum website.
But web sites age quickly. Especially sites whose aesthetic impact is as important as its functionality. The site badly needs a facelift. So, in two weeks I’m headed back to St. Petersburg for the first time since 2000. It won’t be the massive overhaul that I undertook before, but I’m certain we’ll come up with something.
It’s strange thinking about returning to a place or project that was so formative to one’s career. You can obviously never go back. It is seven years on and I have an uneasy sense that I’ll be disrupting memories that have crystallized (probably falsely) into my own version of a Golden Age or a myth about the true beginning of my career. This all sounds flighty, I know, but there’s a part of me that wants to keep St. Petersburg associated with wide-eyed naivete and awe. Like not wanting to return to a special place from youth for fear of wrecking the memory of it by seeing it through adult eyes.
I dug up a long e-mail I wrote on one of my first trips to Russia. Here’s a taste (so to say) of the experience.
Call it snobby Americanism if you will, but I demand a positive ID on all soupy meat by-products prior to letting them circular-saw through my digestive system. I’ll drink most anything alcoholic, but, come on, don’t tell me that you opened the bottle of wine before you got to the table to save me the trouble — I can taste that it has been oxidizing in a warm room for about three months now. (Hell, I’ve made hooch that tastes like that.) Even the attempts at more traditional American junk food, which is fairly difficult to screw up, are mostly failures. For example, a waitress asked me if I wanted french fries with a meal the other night so I said sure. I was brought a platter of fries — as an appetizer, mind you — that were so disgustingly salty that my tongue began to wince before each fry reached my tastebuds. It was like magnetic repulsion or something. The fries looked like they had been dragged behind a car across the flats of Nevada. Then, in case I had not had my fill of this delicacy, my main meal arrived with a side order of fries. Thank god I had the refreshing bottle of flaccid wine to wash it all down.
Not exactly culturally sensitive*, to be sure, but also not a memory I want at all sullied by finer dining experiences this time around. I’ll gladly take the hyper-salted fries and a bottle of skunked wine.
[*] A few years after we launched the site, a paper appeared that claimed IBM’s work on the Hermitage site was a form of “cybercolonialism.” Say what you will about that, but the primary argument rested on IBM purportedly forcing the Hermitage to use American English rather than their standard British English. Whenever I read that I chuckle. You will too if can read and know the difference between ‘color’ and ‘colour‘.