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You gotta admire the audacity of this. Guy walks into four of the most prestigious art museums in NYC, hangs his own art complete with labels, snaps some shots, and walks out. If nothing else the act itself deserves mention as a superb piece of performance art.
He says – “This historic occasion has less to do with finally being embraced by the fine art establishment and is more about the judicious use of a fake beard and some high strength glue.” Banksy continues -“They’re good enough to be in there, so I don’t see why I should wait”
Staff at the New York Met discovered and removed their new aquisition early Sunday morning while Banksy’s discount soup can print took pride of place in the MoMA for over three days before being torn down.
As of now, the other two pieces currently remain firmly in place.
Full photos here.
Via Kottke.
UPDATE: MoMA took Banksy’s piece down (it was not in a gallery to begin with), but they didn’t throw it out. Wonder what they’ll do with it?
A stage that needs to ascend
Much has changed since the shuttle last went aloft, but that doesn’t mean it isn’t important for the US and for manned flight in general to get it back up a few times before phasing it out for something better and letting private industry take over orbital trucking.
NASA is still hoping to launch Discovery as mission STS-114 on May 15, though it is not at all certain they will hit that date and the launch window closes on June 3. As you might expect the spacewalks planned for this mission focus on feasibility tests of repairing damage during a mission. Also on the task list are delivery of the Raffaello module to the International Space Station and the installation of a digital camera (yes, they were using film) on the underside of the shuttle to snap pictures of the external tank separation. NASA has said that another shuttle could go up as early as June 14 if there was a need for a rescue mission.
Get ready, spacegeeks, live telemetry feeds will soon be coming your way!
Always back up
My 3½-year-old son has become a Star Wars freak in the last few weeks. He watches all five movies (and recently the new trailer) every weekend — though not in order and not even in the order of their chapters. This constantly-on video mash-up does a good job of highlighting patterns in Lucas’s thinking.
So, here’s my first observation (though probably not the first time this has been observed). Single points of technical failure run throughout the Star Wars movies. You’d think that a culture advanced enough to have intelligent robots and laser swords that don’t singe your retinas when you hold them in front of your face would understand the importance of redundancy. Consider the following.
- Both Death Stars were destroyed by single shots to essentially unprotected (though difficult to reach) Achille’s heels.
- The shield protecting the unfinished Death Star on Endor was disabled by blowing up a single power station.
- Young Anakin destroys the trade federation ship — accidentally! — with a single shot to something.
- The entire battalion of battle droids on Naboo is disabled by the explosion of the trade ship.
In a way, single points of failure are great storytelling devices. They make the goal-driven narrative work. It just wouldn’t be all that compelling to watch Han and company scamper around Endor blowing up power station after power station, would it? Or to hear Han say “Great shot kid, that was one in a million! Now let’s get the other four shafts!”
Urban library
A line in Neal Stephenson’s The System of the World comparing the streets of London to bookshelves crystallized something I had been thinking about in an informal way since I first played with the A9 Yellow Pages Search. Well, a few things. First, seen edge-on a shelf full of books does in a way resemble the variegated facades of an urban streetscape. But more than the physical resemblance, there’s a kind of functional similarity. The front of a building, like the spine of a book, is both its human interface and its metadata. Not only do you judge a book (and a building) by its cover, but you must. This is how we apprehend reality, at least initially. One of my favorite tricks in a library is finding the location of a book I think I want then browsing in the region of the book once I find it. Kind of a physical fuzzy search. Same thing with urban streets, especially where businesses cluster based on some similarity (wares, targetted demographic, etc). And this is why the A9 Yellow Pages search is so cool. Amazon merely used the experience of bookshelf scanning as a model for browsing businesses by their building facades. (Though, strangely, you can’t browse Amazon’s book collection this way.) Seems that, at heart, Amazon’s still a bookstore. And I love that.
Anyone know of any other city-as-bookshelf conceits out there? Seems ripe for exploration, especially considering the many relationships between cities and narratives. Also, if urban streets resemble a bookshelf what about suburbia? How can we tweak the analogy to account for strip malls and parking lots?
UPDATE: OpenPlans has an office-length bookshelf that is a map of Manhattan, complete with a Central Park full of wall-hung plants.
See also: Virtual flâneur | The Pavilion of Literary Profundity
Bring it on!
This just in from building management:
One of the noisiest components of the Wabash viaduct reconstruction – metal sheet pile driving as part of the caisson installation – is scheduled to begin on Thursday, March 17, 2005. This activity may also cause the building to vibrate.
They’ve never warned of vibration before and this place certainly shook when they were ripping apart Wabash. I wonder if this is an attempt to proactively warn or if they really mean the Richter scale is going to be involved here.
The test will be if the building shakes enough to park the hard drive head of my ThinkPad. Sorry, boss, gotta go home, my hard drive airbag just deployed.
UPDATE (3/18): No piles driven, no buildings shaken, no airbags deployed. So very anticlimactic!
Stuff in my backpack, international edition
click for annotated version
Today I booked four separate itineraries in three countries for travel before the end of May. Really the only way to manage such a schedule is to have the right gear. Jumping on the whatsinyourbag tagfest over at Flickr I have catalogued all those things that keep me sane and connected when I travel — in this case internationally. Bag contents differ slightly for the commute to work and for domestic travel.
(These inventory spreads remind me of a dated little travel book called Point It. For the international tourist who has absolutely no desire to learn any new terms whatsoever.)
So, what am I missing?
Is there anything cover art can’t do?
Continuing the recent themes of cover art and interesting uses of web services and open API’s (in the marginalia sidebar), here’s AmazType, a creative little app that creates a word-mosaic of your search term from the covers of books and music at Amazon that are related to the term. So, “Shakespeare” would return that word created from the covers of all the books containing his works.
I consider this a perfect use of technology.
ScrobbleViz
Audioscrobbler continues to amaze me. Profiling your listening tastes and creating a personal stream from that profile is cool, sure, but you soon crave a visualization of the network of relationships that your taste is at the center of. Enter the TouchGraph app for Audioscrobbler. It is pretty basic, plotting relationship maps of artists based on the same algorithm that computes your musical “neighbors.” But you could easily see a more generic app that could take your Audioscrobbler XML feed and continually morph the map (like the Eternal Egypt screensaver, blogged yesterday, does). Clicking on any node might take you directly to a stream of that artist (or the iTunes store). Or maybe there’s an integration point with the attractive (and more info-dense) LivePlasma.
My current thought-exercise, though, is what to do with the links between the music nodes. How could you sonify them? What does the musical connection between, say, Johnny Cash and Cake sound like?
See also: In the gutter
Museums and the Web 2005
I’ll be presenting at this year’s Museums and the Web conference in Vancouver, April 13-16. If you’re going to be there (or live in Vancouver) and want to meet up, drop me a line. Five years ago one of my projects won the Best of the Web award here. Here’s hoping Eternal Egypt can regain the honor amongst such worthy competition.
Eternally yours
The Eternal Egypt project — long my primary focus at work — has just released a screensaver for PC. It is actually a functional app, cycling between three separate modes. It will run a loop similar to the splash screen on the website and will download images randomly from the site (with a running history and ability to send an e-card). My favorite, though, is the mode where it continuously traverses the spatialized relationship web known as Connections. You can do so manually straight from the screensaver too. Have fun!
Mission Elapsed Time: 20:00:21:06:42:40
I went back through it this blog (and my Flickr account) on its 20th anniversary, retracing digital footprints made on what feels like a different planet. Here are some highlights.
The Terror Tourist
A roughly monthly exploration of places in horror fiction — real or imagined, geographical or psychological — culled from The Heavy Leather Horror Show.
Subscribe to the podcast or the email newsletter or just read through the archives posted here.
The Ampcamper
How I hauled myself, two teens, an 80 lb dog, and a whole load of crap 4000+ miles across six states in twenty days using an electric vehicle. And survived to tell the tale.
