Some select tunes that I enjoyed this year. I hope you do too. Happy holidays and a healthy, prosperous new year to everyone.
Hawkmoth – Plaid
Awake – Tycho
minipops 67 [120.2] [source field mix] – Aphex Twin
I Take Comfort In Your Ignorance – Ulrich Schnauss
Quincy – Deep Dish
Pole Position (Gran Prix Version) – Der Dritte Raum
Higher Ground – TNGHT
Canis – Theorem & Sutekh
Mimas – X-102
101 rainbows ambient mix g1 – Caustic Window
As 2013 winds down it is time for the annual reliving-making-cassette-mixes-for-friends moment. It’s really for me. I’m unwilling to give up on that visceral joy of stitching tunes together as a gift. However, this year, instead of mashing up music that my family enjoyed during the preceding year I’m giving in to listener feedback and actually posting holiday music.
This particular half hour comes from a fun evening of back-and-forth joint DJ’ing the OpenGovChicago Holiday Party on Dec. 12 with DJ C, aka Jake Trussell. Jake’s set is not online, but his warmup is.
Very best to you in 2014!
Keeping the flame alive, here’s the year-end giftmix. You know the drill. It ain’t the best of 2012 and it’s barely generically coherent, but these are the tracks that either (a) made people on the dancefloor happy at Beat Research Chicago or (b) were in one way or another special to my family this year. (You’ll gather that I took my son to his first concert, Roger Waters doing the entirety of The Wall this year, for instance.) Hope you enjoy.
In The Flesh? – Pink Floyd
Flutes (Sasha Remix) – Hot Chip
Chime/Crime (Live in Australia) – Orbital
Sweet Thing (Adam Faz Dub Remix) – Tenor Fly & Dreadsquad
Whiskers – Gemini & Feed Me
Breakn’ A Sweat (Zedd Remix) – Skrillex & The Doors
Random – Gary Numan
Puttin’ On The Ritz (Club Des Belugas Remix) – Fred Astaire
Keep Pounding – Mooqee & Pimpsoul
Baby Battle Scratch – Lemon Jelly
Good Gone – K Theory
Ana Ng – They Might Be Giants
Debaser – Pixies
Bohemian Rhapsody – Queen
The Trial – Pink Floyd
Outside the Wall – Pink Floyd
Full stream at Mixcloud, above. MP3 for download here.
Happy holidays and a healthy, propserous new year to you all!
Pretty sure there’s at least a few naughty among you, but here’s the annual giftmix just the same. Happy holidays and best in 2012, friends.
This City Is Killing Me – Dusty Brown
Seeing the Lines – Mr. Projectile
Futureworld – Com Truise
Unbank – Plaid
Daydream – Tycho
German Clap – Modeselektor
Spacial – Tevo Howard*
Rubin – Der Dritte Raum
Human Reason – Adam Beyer
Planisphere – Justice
Genkai (1) – Biosphere
* Chicago artist
It’s been two months now since we wrapped it all up. Could be that my lateness in writing about it was just to make sure that we really did mean that it was over. Or maybe I didn’t want to think about it being over. Most likely, it was sheer exhaustion and a house that needed putting back together.
In any event, certain parts of our final holiday party do need to be told. Sweet damnation, it was an amazing way to go out.
I’ve detailed the evolution of this particular fête previously, so I’ll just lay out the specifics. On December 11 my wife and I hosted the last event, completing an unintended triad of “world”-based themes that began two years ago with Around the World, continued last year with Out of This World, and culminated in this event, decisively, as The End of the World.
Newsflash: apocalypse isn’t the classiest theme for what is essentially a Christmas party. New Years Eve sorta has that tipsy tinge of impending end, but it’s never really the end, just a marker. (Except when the millennium flips, of course, and full-on pandemonium is acceptable.) We toyed with “at world’s end” as a physical location, ala Shel Silverstein’s sidewalk or cartographical terra incognita. But neither of these worked as well as the pure mayhem of doomsday.
Eschatology, it turns out, is a wonderfully flexible concept, so we went with it. Mad Max meets the Four Horsemen by way of Al Gore. With lasers and martinis.
The favor was a special challenge. The party takeaway has traditionally been some form of music-delivery medium and, though I have long since stopped considering compact discs adequate to this task, the truth is that they did lend themselves astonishingly well to what we came up with. See, it’s a clock. Tick tock, tick tock, time’s up. Get it?
We figured most people wouldn’t make the connection to the doomsday clock, though there is something wonderfully creepy about a bunch of clocks ticking out of time with one another (cf., Orbital’s “The Box” remix, part of the audio excerpt below).
The clock face was composed of two CD’s — Doomsday and Rebirth — which were smooshed together and bolted onto the clock axle, as below. To listen to the discs you had to dismantle the clock, which consisted of unscrewing a single nut.
The clock sat in small frame which itself rested on a small “time capsule” that contained a scroll with holiday wishes and a reminder not to come back next year.
The last piece, really the only thing having to do with rebirth, was a small (live) spruce sapling hooked to the back of the clock rig. It all looked rather nice, festive even, though it was awfully time-consuming to assemble and frightfully delicate. I’d love to know how many clocks made it in working shape back to partygoers’ homes at the end of the night.
At the end of the world we will eat pork, a sign declared. We’re still not sure what that means, but the porktacular was a hit. With a nod to our stockyards, I’ll note that we used everything but the oink. Faves included the Bacon Waffles with Spicy Chicken and Maple Cream and the Red Velvet Cake Ball Meteoroids. (Here’s the full spread.)
Fingers the One-Handed Bartender returned this year and was responsible for much mirth, day-after illness, and possibly one pregnancy. We had intended to enlarge his veal pen of a bar area but never got around to it. We did however rig a display above his head that gave details on the custom drink menu. And the DJ booth had a special trigger for thirst, below.
Possibly my favorite new addition to the party was the DJ outfits. Last year we donned jackets festooned with electroluminescent wire, a tough thing to upstage — but in the intervening year the iPad had been released. And of course it wasn’t difficult to find shirts custom-reinforced to accommodate an iPad slid right into it. It was great fun. We had disaster video, spectrum analyzers, music-appropriate imagery, and all manner of screensavery stuff.
But the most fun was a LED ticker-tape app that allowed tweeting directly to it so that the crowd could scroll their own messages right across our chests. (Pretty sure that snippet below is “And the DJ is doing a great job” a brief interlude between what-a-bunch-of-nerds themed tweets.) The account’s still live, by the way. Maybe you’ll catch me wearing the iPad at work?
Other new additions this year included a drink shelf below the perishable electronics in the DJ booth. Call it a lesson learned from last year. The mirrored tree cones, staple of most past parties, also got custom spinners to throw disco ball shards of light around the room to remind everyone that they were, in fact, in a post-apocalyptic hell. And the popular photo booth had all manner of goodbye-cruel-world props.
Lastly in the new things category, we went low-tech with a “memory board” for people to scrawl their thoughts about the last decade of bashes. It remained remarkably free of crude comments for much (but not all) of the night.
And yet it is the music and dancing that defines and prolongs this party. We didn’t have much luck recording the full set of Jesse Kriss, Michael Tolva and I this year, but this self-contained set does exist.
Conveniently, lots of people were singing about armageddon in the 1980’s. Thanks, Strategic Defense Initiative!
The EL jackets returned, of course, made seemingly all the fresher by the release one week later of Tron: Legacy. Way fun, way photogenic, and way too goddamn hot.
This year our visuals maestro Tom Herlihy did not have a calendar conflict with Kabul, Afghanistan and so was able to man the lights and projectors during about an hour of sobriety. Tom’s ever-able understudy Chris Gansen also lit it up, so to speak. For once in a club setting the air raid siren made sense.
The liquor globes made a comeback as well. Luckily Malört, Chicago’s very own rotgut, neatly tied together our love of the Windy City and beverages that pretty much ensure that your world is coming to an end.
Which is a nice seque to illness. You could say that we were on-theme with pestilence, but the sad truth is that it seems our home — usually infested with the virus that is small children — was coated with a fine film of some mutant strain of stomach flu. Several got ill, including my mother-in-law who spent the entire party in the dual perditions of non-stop barfing and having to listen to four-on-the-floor bass until 4 AM.
The other casualty was Jesse Kriss, the DJ savant and ringmaster of the music-making that has jolted the past few years’ parties. Yet, Jesse played for at least 90 minutes, ashen-faced but not so lethargic that he couldn’t whip the crossfader. It was magic to watch, until he too collapsed into a bed upstairs and merely felt the party through the house frame vibrations. I think Joey and I did a pretty good job keeping the music interesting, but it simply was not the same without Jesse as mixmaster of ceremonies.
Some people didn’t believe that this was the end, but many knew. You could tell from the thoughtfulness of the hostess gifts, such as the handmade party logo ornament above and the retrospective photobook.
Right, so. No need to dwell on it. It was a great run. I’ll sum it all up with the text from the note we included in the time capsule. (Mind the sap. It’s sticky.)
Who the heck throws a holiday party with doomsday (and rebirth) as a theme, you might be wondering? Fair enough, but it’s a useful summary of the diverse emotions we feel as we end eleven years of parties with our favorite people. What started as a small gathering of disparate groups of friends as we were just getting our bearings as (kidless) Chicagoans has grown into an intense labor of love that is easily the highlight of our year.
But labor it is, and we feel our work is done. Energy that was poured into this spectacle now goes elsewhere, primarily to the three lovelies you see below, but also to you all — just in different ways. We know we’re lucky to have such happy and fun-loving friends and we’re immensely grateful you’ve chosen to spend a night of your year with us.
So let’s not focus on the end but rather the fun we’ve had and what comes next. A healthy 2011 to start, followed by more good times, and maybe a beautiful blue spruce in your yard many years from now.
Here’s the full photo gallery.
Curious about past parties?
Ten years ago my wife and I had just moved to Chicago. Kidless, dual income, cool new top floor condo. We threw a Christmas party for the few people we knew. It was fairly low-key: appetizers, beer and wine only, and holiday tunes softly played. The invitation even had an end time on it.
It isn’t like that anymore.
The get-together has become something of a spectacle, an entire year’s worth of creative energy throttled into a single night that reminds us of a youth I don’t think my wife or I ever actually had. And it’s kidless once more, having evolved into a house-sized version of stays-in-Vegas that the children would surely be embarrassed by later in life if they had the memories. (And will, thanks to this post, hundreds of photos, a full video feed and the Google bots. Sorry, kids.)
The parties early on never had themes, but eventually we started giving away favors and that led to light theming, usually holiday-related (e.g., “I Think They Spiked the Nog” and “Lords a-Leaping”.) But themes are a gateway drug and soon enough we were in full-blown obsessive-compulsion about every last detail conforming to the chosen motif.
Last year, the theme was “Around the World,” celebrating travel of all kinds and lending itself handily to silly tie-ins. This year’s theme — Out Of This World — seems almost predetermined given the re-use it made possible of certain globe decor from last year, but also because of what a space nerd I am. (And yes, it lends itself to a world “trilogy”, more on which later.)
The favor proved challenging as we had designed ourselves into a bit of a corner last year by dumping CDs in favor of USB keys. The consensus opinion (meaning my wife’s) was that people really didn’t use the key drives — leading me to question our choice of friends, frankly — and the decision was to go back to CDs.
This led to what I thought was a fantastic idea. I’d build an armillary sphere with the compact disc as the celestial equator! Wait, come back. If I admit that it would have taken months and every shred of sanity I have to actually make them, you have to admit it would have looked amazing.
Next idea: ringed planet. It was a contentious design process, honestly, but in the end it yielded something great. The CD (two actually) formed the rings, a styrofoam ball sliced in half and glittered formed the planet. This set like a garnish on a mini-martini glass which itself was set atop a coaster that was our holiday card (photo of kids with greeting). Initially Robyn suggested the card be a flag planted atop the planet. Which of course is silly, given that Saturn is a gas giant and you can’t plant flags on it. Sheesh! (This kind of thinking led to a chandelier planet arrangement that was far from accurate.) Our fantastic nanny, Ellen Gallerini, and her business partner — the Glitter Girlz — bore the brunt of the assembly work. Amazing, huh?
But the real stroke of genius came from Robyn: the glasses were filled with Mentos and the entire favor display was backed with 2-liter bottles of Diet Coke. Blastoff! (If you’re unaware of the particular physics involved here, have a look.) Not sure if anyone tried this, but in keeping with our tradition of home-wrecking favors we have reports that the glitter got into and all over virtually everything it touched. I can’t imagine the discs were actually playable. (Which is OK: you can download it here.)
Food and drink stayed on-theme, my particular favorite being the red velvet frosted cake balls peddled as moon rocks. The custom drink list, bane of our hired bartenders and the ultimate scapegoat for much that happens, was equally tasty. Choice selections included the Tang-tini (Tang and blood orange martini), Fly Me To the Moon (Passion Fruit Vodka and Prosecco), and the Black Hole (Espresso Martini). Bottleable quanities of each of these drinks were sucked from our carpet by Stanley Steemer a few days after the party.
A note on the bartender. Serving drinks for this party is pure misery. In an effort to encourage a flow through the house, we put the mixed drinks and bartender in the basement. This meant he was subjected to at least 7 hours of aural and visual assault in a very limited space. Add drunk revelers and dancing bodies. Stir.
Well, we’ve solved this problem and his name is Matt Vogel, aka “Fingers”. We didn’t know the reason for this nickname until he showed up. Fingers, you see, has only one hand. Fingers insisted we call him such and I protested until he produced a business card with “Fingers” on it. You can imagine our thoughts when a one-handed guy showed up for what is a tough assignment for a barkeep with four arms. But here’s the thing: Fingers was amazing. He kept pace, didn’t complain, and stayed late — all with a great disposition.
The theme is fun. The food, drink and decor are festive. But the genetic mutation that’s most responsible for the party’s evolution is what happens in the basement. To quote a friend, “I don’t even mess with the first floor anymore.” Let’s go there.
Basically the lower level is just one big media generation machine. “Photobooth”, live video feed, lots of roving photo/video cameras, a closed-circuit feed to two projectors, two iSights snapping at regular intervals, and a recording of the audio from the DJ booth ensure that it is well-covered. Good thing too; there are a lot of cute boots down there.
It’s a massive effort. We move every last shred of furniture and decor out of what is a very functional and much-used basement (our family life routine is also effectively moved out), then load in a forklift’s worth of plywood to construct what becomes the Nightclub on Henderson Street.
We amped up the lighting this year, figuratively and literally, adding three high-powered spots, stage washes, and a physical control panel to the full roster of DJ spots, LED cans, strobes, projectors, and laser. This is all due to a guy who wasn’t actually at the party. Tom Herlihy, visuals expert and total lighting nerd, loaned all the equipment, trained a totally capable assistant, Chris Gansen, and then decamped for Kabul, Afghanistan for work. And this was the reason for the live video feed. Tom caught parts of the party in the Dubai and London airports. Totally worth it.
The DJ booth is simply a beast. Originally constructed to accommodate two people, enlarged to fit four, and then, this year, completely rebuilt. The 2009 version situated the three DJ’s more comfortably while giving the AV control a kind of crow’s nest above it all and, importantly, providing a dance platform behind the DJ surface, since that’s where we found people pooled anyway.
Clearly raised areas attracted people in past years, so we build two dance platforms out in the crowd. These were sturdy and festooned with instructions that we figured even the drunkest partygoers would understand.
The DJ setup this year exceeded all past. The unbelievable Jesse Kriss returned (this time from Seattle rather than Boston) and provided the real turntable chops. He was the master of ceremonies for all audio, messing with whatever Joey and I were pumping out via Ableton and Traktor. We also had a Korg KAOSS pad (a tactile/visual effects and loop controller) which were totally smitten with mere seconds after hooking it up.
We played for over eight hours, covering a serious range of tunes. Jesse, Joey, and I really seemed to click this year, handing off more smoothly than catastrophically most of the time. (I stress most of the time. See custom drink menu, above.) The floor was packed with dancers for hours. The apotheosis of the party, truly.
Below is the full set, annotated with interesting bits on the timeline. Click the link for a larger version.
[Download | 8h 6m 48s | 484.5 MB]
Jesse’s fantastic beginning set is excerpted here with full tracklisting.
The built-in downfall of the party, it seems to my wife and I, is the ever-more-difficult challenge of making the spectacle that much bigger year-on-year. But that’s a problem for the future; we hit the mark this year. Inspired by Daft Punk inspired by Tron we constructed three glowing jackets of electroluminescent wire for the DJ crew. The nerdfest began about four hours in and was met with a solid wall of cheering.
The jackets were a bit of a pain in the ass, as we had to affix the somewhat delicate EL wire with tiny safety pins from inside the jacket. But my god was it worth it. Everyone wanted to wear them, which was fine by us as they were hot as hell. Biggest upside: wearing a jacket of copper wire with electricity coursing through it was an effective deterrent to me taking my shirt off, something that has regrettably become a de facto tradition at the party. Not this year!
Though there’s no end time on the invitation anymore, there’s something about this party that demands a discrete finale rather than fading out with hangers-on. Last year this finale came courtesy of the Chicago Police Department. We escaped that this year, somehow. (How we weren’t charged with “operating a public place of amusement without a license” is beyond me.)
This year the ending came via a small explosion.
Piecing together exactly what happened was a massive chore taking weeks and all kinds of CSI-style cross-referencing of testimonial and media timestamps. The folks still there at 3:45 AM said later on that the power cut out. Apparently I rushed to the circuit breaker in the back bedroom to check this and in the process intruded on two sleeping guests who had called it quits.
But that wasn’t it. Couldn’t have been. The recording of the night proved that power remained as it continued for hours uninterrupted after the music ended. We were pulling from four separate circuits in the basement, having learned our lesson from the strobes in previous years.
The next morning the only thing people recalled was me saying “Party’s over. Get the hell out!” But my laptop was completely dead. Dead, but seemingly unmolested. No drink spills apparent anywhere. This is not, however, what Apple repair ultimately said. “Extensive internal liquid damage” was the diagnosis. As best we can tell, liquid seeped in through the Superdrive bay slot on the right side of the laptop and then destroyed everything but the hard drive and wireless radios. No idea how that could have happened.
And that’s how the party ended.
But how it came to be is more important. Dozens of people gave dozens of hours to realize such a thing. We’ve mentioned Tom Herlihy, Jesse Kriss, Chris Gansen and my brother Michael, but that leaves out Justin Bowersock, Alyson Higgins, Cathy Brennan, Heidi and Pat Potter, David Balcom, Mike Bloebaum, Ricky Thorpe, Michelle Simpson, Tom Alter, Ellen Gallerini, Jodie Deschler and others who absolutely made it happen. I’ve said it before and I don’t give a damn if I say it again. This your party too. THANK YOU.
The experience is extraordinary, for sure, but so is the toll it takes on the family to bring about. The half-jokes Robyn and I made about this being our last party during the run-up became less than half as the party approached. But we recognize that we can’t just end something like this without warning. Too many people have too good a time to do that.
So I’ll ask you, dear reader, if you’ve been around the world and off the world, what’s the only thing left to do to the world?
Certainly there was sweat. Our battered hands prove there was blood. And in fact it ended, for some, in tears. Yes, folks, the silence on this blog can be explained in only one way. We’ve pulled off another holiday party. And avoided arrest, even.
We’ve done this a few times before. In fact eight times before, when planning had primarily been logistical: How do we accommodate as many people as we want to invite? How do we feed them? How do we make sure they don’t slink off to any other soireés?
But we’re beyond that now, having basically mutated the gathering into a nightclub-meets-Norman Rockwell split-level affair. For as long as we run this little shindig we’re going to be dealing with the bounty of what we’ve sown — a bumper crop of merry-makers ready for (in fact, expecting) one hell of a party.
It started, as so many things do, drinking at a bar. Vacationing in Kennebunkport, Maine this June my wife and I had been pondering a theme for the party, the glue that ties it all together. Last year was the first time we’d really used a theme (“Naughty/Nice”) and it was a useful, light framework to hang all the party pieces from.
But themes are tough. There’s a reason you don’t have Star Trek birthday parties any more. (Really, put the tricorder and confetti away.) Seasonal themes seem right but are blasé. Joy to the world? Yay. We liked “naughty and nice” because it had other undertones, but really that was the limit.
I suppose because we were on a vacation in a new place and because my travel this year had been so frequent and diverse that it was natural that we’d land on “Around the World” as a theme. Initially it was Christmas Around the World, à la1 the MSI exhibit, but we quickly ditched that from the sheer amount of work it would take to pull off convincingly. All we had to do was avoid the extremes of foreign Christmas traditions (too complex, not exactly fun) and collegiate “around the world” drinking parties (too formulaic and, um, college) and we’d be just fine. We thought.
The favor was always intended to be a piece of luggage. Just when we were going to settle for flimsy junk we stumbled on to these beauts. Surely they are custom creations because none of them are exactly the same and they were exquisitely crafted.
Inside went this year’s music mix. I finally ditched the CD (and, sadly, the Jewelboxing packaging that always accompanied it) in favor of a USB memory stick full of tunes and a short video. I had naïvely2 figured that with the ever-falling cost of RAM a few dozen 64MB keys would be at most $100. Wrong. That particular price graph ain’t linear. But I’m no economist and just didn’t want to mess with burning CD’s. We settled on 1GB keys and I filled them with our family’s favorite music of the year.
I’d love to know what percentage of the 100+ guests actually loaded the music onto their systems. One guest said she could not get the “whistle” to make any noise.
The favor also contained some treats and a postcard-style message to our friends with (bonus!) a mini-version of our holiday card on the back. Postage, saved.
Of course, there was hooch. There’s always hooch. After last year’s re-fermenting bottles of homemade raspberry wine exploded in people’s homes (“Happy Holidays! Here’s a timebomb of bright red liquid!”) we almost ditched the tradition. But no. Obviously we needed mini-liquor bottles like they serve on airplanes.
Bottle procurement proved very challenging. The brain trust in the Chicago city council apparently decided recently to ban the sale of mini liquor bottles citing them as being favorites of alcoholics. I found this out by asking our local liquor guy who explained to me the rationale as he served up a flask-sized bottle of liquid fire to an obvious alcoholic just stumbled in from the street. Ultimately I hauled myself just outside of the city limits and bought the cheapest minis I could find. The alcohol in which formed the foundation of …
Homemade cranberry liqueur! For the first time ever, we did not ferment or distill anything ourselves. Instead we essentially mixed up a massive cocktail. We used fresh cranberries (following this recipe and adding in some things like ginger and lime) so we still got to enjoy the annual festival of crushed fruit nastiness in the bathroom. Tolva liquor, like laws and sausages, is something you simply do not want to see made.
With a screw-on bottle top and no moonshine-grade alcohol (lethal quantities of ginger, another matter) you might think this was the first party with nothing booze-related that might kill you. You would, of course, think wrong. Robyn ran with the theme and ordered little metal airplanes shaped, seemingly, from paper clips and meant to attach to the lip of a drink glass. Cute, sure, this twisted metal — but also nearly invisible if dropped into your drink. No reports of GI tract lacerations from anyone, so far.
The drinks are designed for whim and power. Pretty sure we succeeded on both fronts. Budget cuts forced us to ditch the ice luge, but we made up for it with globe liquor dispensers serving Rumple Minze and Jägermeister3 like magma from the breached core of the planet. This was the downfall of many guests, I believe.
There’s a degree of pity one has for hired bartenders at our parties. It’s loud and crowded and my wife’s specialty beverages are only slightly less difficult to handle than her wrath if the drinks are improperly made. But Jim the Bartender did marvelously. I even caught him dancing a bit in the four square foot veal pen we gave him to operate in. The menu included Cruising at 37,000 Feet (white cranberry Cosmopolitan — cloudy, you see, with killer airplane clips), Around the World in 80 Proof (rum punch), The Red Eye (Espresso Martini — a crowd favorite), The French Connection (French Martini), and Roman Holiday (Italian Bellini).
Also brought out late were “TSA Blues” shooters — blue raspberry mixer, vodka, and white cranberry juice — served in security theater-approved three ounce containers. I suppose we should have made guests take off their shoes and unload their cell phones while taking the drink. And, lest you think we actually succeeded in classing up this affair past a college party boozefest, a friend showed up with red and green Jello shots late night. You would have thought she was doling out nuggets of purest gold. They went instantly.
(Here’s the recipe.)
The food. Yeah, that. Possibly the only thing that has remained constant in nine versions of this party is a firm ban on catering. My wife enlists assistance from friends, but basically the spread is and forever shall be all hers. Year-to-year favorites include Texas chili con queso (con Fritos FTW!), bacon-wrapped dates (a near-perfect texture-taste match), cheesecake lollipops, and pepperoni bread. Newly added to acclaim were corn cakes with BBQ brisket, sausage-stuffed mushrooms, and chicken satay bites.
One clever idea from Robyn was to put up a map and have people mark their 2008 travels on it. If nothing else it was a conversation starter, but it looked cool by the end of the night, especially since we had folks in from all parts of the country and — this year’s long-haul winner — Ricky Thorpe came from Helsinki via his home in the UK.
I can’t encounter a geospatial data set and not want to do something with it, so here it is transcribed to Google Maps. Suggestions on how to further extend this most welcome.
The map and out-of-town visitors was the inspiration for this year’s photo “booth” props. We had a few dozen “x miles to y” signs printed up, though it isn’t as though anyone needed prompting to vamp in front of the camera.
And yet, none of this is why people really attend the party these days. Or, at least, it isn’t why anyone stays. This year the basement reached its apotheosis as a full-fledged nightclub. And the club-goers responded.
The transformation of the basement is, by far, the most time-consuming, complex undertaking of the whole deal, basically starting right around Halloween.
First thing is to get nearly every piece of furniture out. It’s physically exhausting, logistically challenging (“do you really think we should put that chair in the rafters?”), and psychologically unsettling. My desk, center of a not altogether stable universe to begin with, has to be disassembled — leaving me a laptop-toting nomad in my own home.
The biggest upgrades this year were a huge leap in lighting and the introduction of turntables. Last year’s lighting was an afterthought (though I am still proud of the LEGO disco lights). This year it was the first thought, thanks to the ridiculous inventory and commitment of Tom Herlihy. One night in November Tom came by and loaded several thousand dollars worth of gear into my garage. Robotic spots, LED cans, pattern generators, strobes, projectors, a haze machine, a laser (yes!) — and that was just the stuff I ended up using. There were dozens more.
The best part, though, was Tom’s mastery of the visual machinery; he wired all the lights up using the DMX protocol and hooked them into this control app. Tom set up all kinds of cues — all spots rotate to bartender (i.e., “the DJ needs a drink!”), LED chases around the room, a laser “surface” above dancers’ heads, etc — and controlled it all by touchscreen.
In addition, Tom’s mutant-huge AV laptop powered the visuals on the screen built into the DJ booth and the projector that threw to the back wall. We had all kinds of funky beat-responsive geometries on the screens, but the best may have simply been the rotating globe courtesy of Google Earth. The visuals transformed the space utterly. Tom is my hero.
Of course, if you read this blog with any regularity you know that what I really care about is music. And this is how the story figuratively and, as it turns out, literally ends. If Tom was the hero of the visual, Jesse Kriss was the hero of the aural.
Jesse is truly a superstar. He’s a colleague at IBM (creator of one of my very favorite projects), but I first came to know him by way of his Visual Scratch and History of Sampling work. (He’s also my collaborator on the moribund breakbeatbox site. Really should get that going again.)
Anyway. Jesse came in from Boston … by train. He’s a turntablist at heart so he brought a kickass mixer and we rented two decks in Chicago. This was all hooked up via Serato Scratch such that he could control digital music with all the tactile control of old school vinyl.
It was perfect. For one, in the era of laptop DJ’s people go even wilder to see someone actually, you know, doing something to make the music. (The night before as we set up and rehearsed my mother-in-law noted to my wife “They’re all up there with headphones on pushing buttons.”) But also it was a perfect accompaniment when my brother or I were playing the main music. Jesse would drop in beats or scratches, on-the-fly annotation of the stream of tunes.
We had some issues recording everything (with seven laptops up there you’d think we’d have been OK), but I did manage to get a portion of Jesse’s set. Probably the highlight of the night was when he layered in portions of Obama’s election night speech. I thought a certain female supporter of the president-elect in the crowd was going to jump up and rip his clothes off right then and there. (Note: Jesse is working on an inauguration mixtape. A must-post when it is released.)
I had my usual rig set up with Ableton and the monome ready to control an atomized version of Daft Punk’s “Around the World,” the obvious theme song of the whole night. You can hear one version of it (we dropped it in throughout the evening) in the set below. That moment, as I hazily recall, was probably the most raucous. Everyone singing, everyone moving.
My brother rounded out the DJ lineup, keeping the tracks young enough for everyone to pretend we were hip. Joey was the designated Rickroller dropping ol’ Astley in from time-to-time to the delight of some and confusion of most.
With Tom on the visuals and the three musicmakers in the booth we were a uniquely dorky quartet, but a few different people noted that it looked like we were having a blast. We most certainly were. I’d do it again even without a crowd.
In fact, I just may. For one, I ignored just about every request that came my way so it isn’t like I was reading the crowd. For another, the DJ booth got a massive overhaul this year and I’m reluctant to tear it down. It was much wider, more stable, and roomier (with space for a projection rack behind us). But the clear killer feature — added only hours before the party by the industrious Jeff Greer — was carpeting. That’s right, it was plush bordering on posh up there in mission control. I just can’t bear to part with that degree of luxury.
All this music was pumped through a dedicated sound system, also courtesy of Tom. No more tripping the circuit of our media center amp. (Actually we deliberately overloaded the circuit box about a week before the party to see how far we could push it. Tip: watch the strobes.) The bass was delivered from a monstrous four-foot-cubed subwoofer tucked into the corner — a seismic rumbler that surely shook our neighbor’s foundations.
How can I be so sure? Well, the police told me so. Around 3AM when the basement was still thumping Chicago’s finest showed up and declared the party over because of “multiple” complaints from neighbors about the noise. Given that our neighbors on one side were actually at the party, I’m fairly certain I know who was complaining. Guess I better invite them next year.
Actually I think I’m to blame. It was fairly toasty down in the basement (I thought, though few others did) so I cracked the windows. This, I bet, was the source of audio leakage that was the ultimate downfall of the party.
And yet, there’s something right about a party of this magnitude not stopping on its own. I suppose we’ve all matured since high school as no one, to my knowledge, fled out the back door when the 5-0 came knocking. The cops actually said they had come by once before in the evening and someone shut the door in their face. Nice.
There were other hijinks this year (and thank god the kids were with their grandparents), but there’s no need to impugn reputations or submit these tales to the Google index for perpetuity.
It was a spectacularly good time. With the sole exception of my wife using Comic Sans to create address labels for an otherwise carefully-designed invitation, I think we’d change nothing. (No open windows next year, obviously.) Many complained of a “Tolva flu” the next day, but this is what you get for drinking booze from a globe, or a TSA container, or a Jello mold.
There is simply no way we could pull this off without the help of our friends. Deep thanks to Justin Bowersock, Kellie Burke, Chris Gansen, Jeff Greer, Tom Herlihy, Alyson Higgins, Jesse Kriss, Ricky Thorpe and Michael Tolva. It is your party too.
See you next year!